CFP: Synge And Transnational Modernisms

Recent scholarship on Synge by Gregory Castle (2001) Sinéad Garrigan Mattar (2004), Hélène Lecossois (2021) and Seán Hewitt (2021) have all examined how J.M. Synge’s reflections on rapid and uneven modernity in Ireland can be seen as a modernist aesthetic. Most recently of all, Hewitt has argued that ‘Synge’s influence on twentieth-century modernism (and on postmodernism) is yet to be

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