This is a copy of the program originally pasted on the website of the University of Barcelona. Click HERE to co back to the conference page. |
| Departament de Filologia Anglesa i Alemanya
IASIL '99 |
IASIL 1999
The International Association for the Study of Irish Literatures
The conference was held at the University of Barcelona building in Plaça Universitat, the address of which is:
Gran Via de les Corts Catalanes 585
Departament de Filologia Anglesa i Alemanya,
Universitat de Barcelona,
Corts Catalanes, 585
08007 Barcelona
Spain
July 1999
IASIL '99 - Programme
Monday 26th July
| 08.30 - 10.00 | Registration |
| 10.00 - 11.00 | Opening Ceremony |
| 11.00 - 11.30 | Coffee Break |
| 11.45 - 13.00 | Plenary lecture. Nuala Ní Dhomhnaill (Title to be announced) |
| 13.00 - 14.00 | Cava in the garden |
| 14.00 - 15.00 | Lunch |
| 15.30 - 17.30 | Panels |
| 18.00 | Visit to the Palau de la Generalitat (Seat of the Catalan Government) |
| 21.00 | Reception at "The Quiet Man" |
Panels: 15.30-17.30
Room A: History and Politics in Irish Writing
Room B: Postcolonial Ireland
Room C: Gender in Irish Literatures
Room D: Representing Ireland
Room E: Irish Poetries Now
Room F: Irish Literatures and the Fin-de-Siècle
Room G: Irish Drama and Theatre: Past, Present, Future
Monday, 26th July 15.30-17.30
| Room | A | B | C | D | E | F | G |
| Chair | P. Zozaya | B. Stewart | E. Monforte | I. Boada | R. Welch | B. Phillips | N. Grene |
| Delegate |
B. Schrank (Canada) "Performing Political Opposition: Sean O'Casey's Last Plays and the Demise of De Valera" |
M. Estévez (Spain) "James Joyce's Postcolonial and Nationalist Valences" | F. Sewell (Northern Ireland) "Cathal Ó Searcaigh: Loosening the Tongue" | E. Aliaga (Spain) "A Vision of the Northern Irish Conflict: The Popular Perception in Spain" | I. Gilsenan-Nordin (Sweden) "Seamus Heaney' Opening of Vision: Nihilism and Post- modernism" | T. Akai (Japan) "'The Shadow of the Gods': The Modern Fairy-Faith of the Irish Writers at the Fin-de- Siècle" | G. Tallone (Italy) "Darkness Visible: Brian Friel's The Enemy Within" |
| Delegate | R.R. Haddad (Brazil) "George Bernard Shaw and Censorship:' The Shewing up of Blanco Posnet'" | M. Brian (Canada) "James Joyce Outwitting the Evil Empires: Writing English in Sanskrit, Celebrating the Catholic Church of Zoroaster, and Receiving the Wor(l)d of the Female Holy Ghost" | J.E. Doan (United States) "Cathal Ó Searcaigh: Gay, Gaelach agus Galánta (Irish Speaking and Handsome)" | E. Carrillo (Spain) "Literary Representa- tions of Cities in Conflict: Belfast and Barcelona" | E. Guy (Australia) "Fasting, a Nation in Abstinence and Seamus Heaney" | M. Campbell (United Kingdom) "Yeats 'At the End of Time': Symbol, Stasis, Rhyme in The Wind among the Reeds (1899)" | M. Richtarik (United States) "Stewart Parker, Belfast Playwright" |
| Delegate | K. Wallace (United Kingdom) "Dissent and Dislocation in Cohn Toibin's The Story of the Night" | J. Hildebidle (United States) "boy oh boy have you had it" | H. Tange (United Kingdom) "The Twa-heided Snake: Images of Ireland in Scottish Inter-War Literature" | C.A. Malcolm (Poland) "Eroticism in the Poetry of Seamus Heaney" | D. Fleming (United States) "'The Second Coming': Prophecy and Eternal Recurrence in the Poetry of W.B. Yeats and Robinson Jeffers" | M. Pelletier (France) "Some Recent Theatrical Approaches to the 'Troubles' " | |
| Delegate | L. James (Czech Republic) "Joycean Technolo- gies: Finnegans Wake, Hypertext and the Millennium Bug" | P.R. Pratt (Morocco) "The Noise as Norm: Exploring the Lesbian Paradigm in Mary Dorcey's A Noise from the Woodshed" | K. Stirling (Switzerland) "A Vision of Scotland: Hugh MacDiar- mid's Appropria- tion of the Aisling" | H. Sungsook (South Korea) "The Aesthetics of Heaney's Poetry: The Combination of Lyricism and Violence" | A. Ciancio (Italy) "Irish Chilhood at the Fin-de- Siècle: A Portrait of a Country as a Young Man" |
| 09.00 - 10.30 | Panels |
| 10.30 - 11.00 | Break |
| 11.00 - 12.30 | Panels |
| 12.45 - 14.00 | Plenary Lecture. Bernard O'Donoghue 'Dispassionate Syntax: the End of Yeats's Century' |
| 14.00 - 15.00 | Lunch |
Panels: 09.00 - 10.30
Room A: Irish Fictions in the 19th and 20th Centuries
Room B: Postmodernism in Irish Literatures
Room C: Gender in Irish Literatures (08.30)
Room D: Representing Ireland
Room E: Irish Poetries Now
Room F: Irish Literatures and Translation
Tuesday, 27 July 09.00 to 10.30
| A | B | C | D | E | F | |
| Chair | A.R. De Toro | C. Holm | C. Connolly | W. Huber | S. Ballyn | K. Firth |
| Delegate | C. Mazzullo (Italy) "An Encounter between At Swim-Two-Birds and Cruiskeen Lawn" | P. Lynch (Ireland) "Gender Roles in Education and Writing: Maria Edgeworth's Letters for Literary Ladies" | N. Miyake (Japan) "Elements, Human Feelings, and Life: The Wind Among the Reeds as the New Poetic Field for the Drama" | |||
| Delegate | L. Lojo (Spain) "The Irish Short Story after Joyce: An Awareness of the Genre" | S. Dilks (United States) "Beckett Imagining the Dead Imagination in 'The Lost Ones' and 'Closed Place' " | E. Cargan (Northern Ireland) "Coded Language and its Significance in the Work of the War Poet Medbh McGuckian" | G. Bendelli (Italy) "Patrick McCabe's The Butcher Boy: from novel to film" | B. Brown (United States) "Dennis O'Driscoll's The Bottom Line: Elegy to a Civil Servant" | M. Gatto (Italy) " 'Through the Wall': Translation in the Work of Seamus Heaney" |
| Delegate | J. Sacido (Spain) "Voices from the Periphery: Ireland and the Short Story" | L. Visconti (Italy) "Samuel Beckett, or the Postmodern Use of Rhetoric" | C. Connolly (United Kingdom) "Divorcing Fiction: The Meanings of Marriage in the Novels of Maria Edgeworth and Lady Morgan" | Nicholas Grene (Ireland) "Black Pastoral: Images of Ireland in the 19990s" | E. Klopper (South Africa) "Reconstruct-ing a Life: Richard Murphy's The Price of Stone" | A. MacCarthy (Spain) " 'Translations from Irish Poetry in the Nineteenth Century" |
| Delegate | C. Uhrman (Sweden) "Suffering and Sin, Sacrifice and Death in Bernard MacLaverty's Cal and Lamb" | A. Serra (Italy) "De-centring Myths: Postmodernism Echoes in Oscar Wilde's Poems in Prose" | C. Jordan (United States) "Priestesses of the Feast: Gender, Fantasy and Food in Joyce's 'The Dead' " | T. Mahony (United States) "Radio in Post-Treaty Ireland: The Voice of the Nation in its Literature" | A. Persson (Sweden) "Reaching out to the Audience: Brendan Kennelly's Public Poetry Readings" | T. Kabdebo (Ireland) "Six Irish Poets Translating Attila Jozsef" |
Panels: 11.30-12.30
Room A: History and Politics in Irish Writing
Room B: Postmodernism in Irish Literatures
Room C: Gender in Irish Literatures
Room D: Representing Ireland
Room E: Irish Poetries Now
Room G: Irish Drama and Theatre: Past, Present, Future
Tuesday, 27 July 11.00 to 12.30
| A | B | C | D | E | F | G | |
| Chair | A. Persson | W. Zach | M. Nash | K. Firth | M. Ohno | T. Mahony | |
| Delegate | H. Friberg (Sweden) " '... Tired of the Anglo- Saxon World': Liam O'Flaherty and World War II Isolation" | M. Kenneally (Canada) "The Iconography of Landscape in Selected Irish Short Stories " | M. Kelleher (Ireland) "Writing Irish Women's Literary History: A Tradition of Their Own" | A.M. Hendriok (United Kingdom) "Irish Myths and the Cinema: 'The Secret of Roan Inish' (1992) and 'Into the West' (1995) " | Y. Midzunoe (Japan) "Seamus Heaney's New Movement to Transmodernism relating to his Translation of Beowulf " | A. McMullan (Ireland) "Staging the Unhomely Female Body: Frank Mc-Guinness's Mary and Lizzie and Marina Carr's Portia Coughlan" | |
| Delegate | I. Midzunoe (Japan) "Brendan Kennelly's Cromwell and Milton's Idea of Ireland" | P. Proietti (Italy) "Motifs, Types and Places of Today's Ireland in the Postmodern- ist Irish Short Story " | E. O'Halloran (United States) "Woman-as-Nation: Two Centuries of Irish Women Writers Reclaim Nationalist Iconography" | R. González (Spain) "Irish History on the Screen: Neil Jordan's Michael Collins (1996)" | C. Johnston (United States) "Desmond Egan's Poetry: An Overview" | ||
| Delegate | B. Tysdahl (Norway) "Colonial Questions in a Gigantic Style: The 'Cyclops' Episode in James Joyce's Ulysses" | M.L. Storey (United States) "The Irish Short Story at Century's End - and Beyond?" | M. Ryan (Australia) "Ourselves Alone: Solipsism in Neil Jordan's Film and Writing" | H. Ikeda (Ireland) "Metamorphosis of the Other in Nuala Ní Dhomhnaill's Poetry" | C. Wallace (Czech Republic) "Desire, Destiny and Dystopia in Marina Carr's Drama (The Mai, Portia Coughlan, The Bog of Cats)" |
Tuesday 27 July Afternoon
| 15.30 - 17.30 | Panels |
| 17.30 - 18.00 | Break |
| 18.00 - 19.15 | Plenary Lecture. Joaquim Mallafré: 'Beckett on Stage: Catalan Translations' |
| 20.00 | Concert in Sta. Maria del Mar |
Panels: 15.30-17.30
Room A: History and Politics in Irish Writing
Room B: Postcolonial Ireland
Room C: Gender in Irish Literatures
Room D: Irish Literatures and Europe
Room E: Irish Poetries Now
Room F: Irish Literatures and the Fin-de-Siècle
Room H: Teaching Irish Literatures
Tuesday 27th July 15.30-17.30
| Room | A | B | C | D | E | F | G | H |
| Chair | M. Elliott | J. Lanters | I. Praga | J. Wilson Foster | S. Golden | N. Sammells | B. Stewart | |
| Delegate | A. McCart- ney (Northern Ireland) "Writing the Land War: The Political Romance" | B. Csilla (Hungary) " 'When shall we three meet again?': Spenser, Shake- speare and McGuin- ness in the Post- colonial Discourse of Mutabilitie | T.D. Chesney (United States) "Joyce and O'Faolain's Women: Kindred Spirits Across Time" | D.A. Badin (Italy) "Poets of the Great Famine: Egan, Kavanagh, Kinsella" | M.H. Mutran (Brazil) "Wilde's Salomé on the Stage and on the Screen: Two Ends of the Century" | J.M. Estévez (Spain) "How to Teach Irish Literatures in Spain at the Turn of the Century" | ||
| Delegate | S. Mashaal (Egypt) "The 'Image of a Star Laid Down'" | D. Duncan (United States) "Poetic Evolution: Barry Rows forward with Prayers of Sherkin" | K. Weiss (United States) "Edna O'Brien's A Pagan Place: Maintain -ing a Fictional Other" | L. D'Agostino (Northern Ireland) "Some European Images and Influences in the Poetry of Derek Mahon" | R. Moi (Norway) " Cats, Bangles and Throw- backs: What is the Point of Paul Muldoon's Postmoder- nist Play in Hay?" | C. Pascual (Spain) "A Precursor of Modernism: Oscar Wilde's The Importance of Being Earnest" | D. Uí Bhraonáin (Ireland) "Electronic Resources for the Study of Literature in Irish" | |
| Delegate | R. Tracy (United States) " 'Ireland, through us, Summons her Children': Pearse, Kathleen Ni Houlihan, and the Hidden Republic"" | M.A. Barros (Spain) "The New Irish Country Girls: A Chrono- logical Comparison of the Femenine Sexual Experience | I. Boada (Northern Ireland) "Nationalism and Language in Catalan and Irish Contemporary Short Stories: Feminist and Post-colonial Perspec-tives" | J. Holdridge (Ireland) "'Night- Rule': Decadence and Sublimity in Derek Mahon's The Yellow Book" | M. Murphy (United States) "Teaching the Famine" | |||
| Delegate | M. Böss (Denmark) "Country of Light: The Private Nation of Patrick Pearse" | B. Stewart (Northern Ireland) "The Old Bog Road: Expressions of Atavism in Irish Culture" | S. Díez (Spain) "Women's Homoerotic Voice in the Works of Emma Donoghue: Discovery and Assertion" | B. Olinder (Sweden) "The Irish Contribu- tion to European Culture: John Hewitt's View" | D. Tubridy (United Kingdom) "Identities of Ireland in Kinsella's Pepper- canister Poetry" | N. Doody (Ireland) "Precursor and Ephebe: Oscar Wilde, Harold Bloom and the Theory of Poetry as Influence" | D. Pierce (United Kingdom) "Irish Writing in the Twentieth Century: Construc-ting a Reader" |
| 09.00 - 10.30 | Panels |
| 10.30 - 11.00 | Break |
| 11.00 - 12.30 | Panels |
| 12.45 - 14.00 | Plenary Lecture. Angela Bourke 'Cultural Collisions in 1890s Ireland' |
| 14.00 - 15.00 | Lunch |
| 15.30 - 18.30 | AGM: Aula Magna |
| 19.00 | Visit to the Town/City Hall |
Panels: 09.00-10.30
Room A: History and Politics in Irish Writing (08.30)
Room B: Postmodernism in Irish Literatures
Room D: Irish Literatures and Europe
Room F: Irish Literatures and translation
Room G: Irish Drama and Theatre: Past, Present, Future
Wednesday, 28 July: Panels from 09.00 to 10.30
| Room | A | B | C | D | E | F | G |
| Chair | J. Hurtley | S. Carroll | Y. González | I. MacCandless | D.E. Morse | ||
| Delegate | N. Allen (Ireland) "The Politics of a Cultural Journal: George Russell ('AE') and The Irish Statesman" | Y. Kim (Korea) "Tracing Postmodern Discourses in Yeats" | |||||
| Delegate | M. Ballin United Kingdom) "Audiences for Periodicals in Post-colonial Ireland" | R. Gefter (Italy) "Postmodern Love, Postmodern Death: God-like Authors and Love-like Narratives in John Banville's and Desmond Hogan's Novels " | J. Country- man (United States) "Mapping the Intersections of Island Lore from Ireland and Spain: Parallels and Meridians" | M.I. Butler de Foley (Ireland) "Translating: A Creative Experiment" | E. Hidalgo (Spain) "Discourse Analysis, Irish Theatre and Disrupted Communi- cation" | ||
| Delegate | J. Heaney (Ireland) "'A Madness from Within': Defending the Nation in Time of Civil War" | J. McMinn (Northern Ireland) "The Presence of Paintings in John Banville's Fiction" | M.F. Louro (Portugal) "Synge and Saramago- Blindness as Metaphor" | R. Wall (Canada) "Intra-lingual Translation: Irish English - - Standard English" | O. Pilný (Czech Republic) "The Insight of Blindness: The Ironies of The Well of The Saints" | ||
| Delegate | J. Scaggs (Ireland) "Making Sense of Time: Sex, Death, and Narrative in Mike McCor mack's Crowe's Requiem" | A.R. de Toro Santos (Spain) "Ireland and Spain: Galicia, the Faithful Sister" | R. Welch (Northern Ireland) "'A Ghostly Paradigm': Translation and the Source" | B. Levitas (Northern Ireland) "The Quint-essence of Parnellism: Irish Theatre in the 1890s" |
Panels: 11.00-12.30
Room A: Irish Fictions in the 19th and 20th Centuries
Room B: Postmodernism in Irish Literatures
Room E: Irish Poetries Now
Room F: Irish Literatures and the Fin-de-Siècle
Room G: Irish Drama and Theatre: Past, Present, Future
Wednesday, 28 July 11.00 to 12.30
| A | B | C | D | E | F | G | |
| Chair | C. Andreu | R. O'Dwyer | A. Moya | P. Lynch | M. Arndt | ||
| Delegate | J. Brihault (France) "English Words for Irish Thoughts" | W. Huber (Germany) "Oscar Wilde and the Postmodern Bio-Play" | H. Schwall (Belgium) "Utopia and Dystopia in Irish Literature" | ||||
| Delegate | D. MacKenna (Ireland) [Title pending] | A. Moya (Spain) "Terry Eagleton's Saint Oscar (1989): Reading Wilde at the End of the 20th Century | S. Murphy (United Kingdom) "'A Code of Images': Northern Irish Centos" | R. Weintraub (United States) "Doyle's Dream: John Bull's Other Island" | J.F. Dean (United States) "Irish Stage Censorship in the 1950s" | ||
| Delegate | T. Casal (Ireland) "'My Probably Pointless Effort to Create': The Struggle for Creativity on Jennifer Johnston's The Christmas Tree" | N. Sammells (United Kingdom) "Pulp Fictions: Oscar Wilde and Quentin Tarantino" | R. Carvalho- Homem (Portugal) "The Word (Mis)trusted: Rhetoric and Self-Irony in some Modern Irish Poets" | S. Weintraub (United States) "Bernard Shaw and Edward Elgar" | D. Cottreau (Canada) "New Directions: Maelossa Stafford at the Druid Theatre" |
| 09.00 - 10.30 | Panels |
| 10.30 - 11.00 | Break |
| 11.00 - 12.30 | Panels |
| 12.45 - 14.00 | Plenary Lecture. Colm Toibin (Catalonia and Ireland: Fearful Symmetries' |
| 14.00 - 15.00 | Lunch |
Panels: 09.00-10.30
Room B: Postcolonial Ireland (08.30)
Room C: Gender in Irish Literatures (08.30)
Room D: Representing Ireland
Room E: Irish Poetries Now
Room F: Irish Literatures and the Fin-de-Siècle
Room G: Irish Drama and Theatre: Past, Present, Future
Thursday, 29 July 09.00 to 10.30
| A | B | C | D | E | F | G | |
| Chair | J. Wilson Foster | J. McMinn | S. Ballyn | Y. Kim | E. Fauset | L. Russell | |
| Delegate | I. Harte (United Kingdom) "History Lessons: Postcolonialism and Seamus Deane's Reading in the Dark" | G. Schneider (Germany) "Masculinity and Sexual Identity in Forrest Reid's Uncle Stephen" | |||||
| Delegate | R.S. Patke (India) "Post- colonial Yeats" | W. Balzano (Ireland) "Irish Veilscapes " | P. Bohan (Spain) "Anthony Burgess's England is somewhere between Ireland and Europe" | S. Grgas (Croatia) "The Postmodern Context of Paul Muldoon's Poetry" | B. Fleming (United Kingdom) "Represent- ations of Ireland and the Figure of the New Woman in George Moore's A Drama in Muslin and George Meredith's Diana of the Crossways" | D.E. Morse (Hungary) "The End of the World at the End of the Century: Chris Lee's The Electro- cution of Children" | |
| Delegate | M. Gibson (Bulgaria) "Yeats and Imperialist Discourses" | R. Frehner (Switzer- land) "The Dark one and The Fair: John Banville's Historians of the Imagination and their Gender Stereotypes" | P. Bull (Australia) "Irish Literatures, Histories and Cultural Perspectives in Australia" | J. Swann (Germany) "Postmodern-ism and Irish Poetry" | C. Hughes (Japan) "The Real Charlotte: Somerville and Ross's Fatal Woman" | F.A.M. Darrag (Egypt) "Contempor-ary Irish Drama and Post modernist Ireland..." | |
| Delegate | N. Meihuizen (South Africa) "Leo Africanus and the Evocation of the Other: Existential Definition in Yeatsian Orientalism" | Y. González (Spain) "Negotiating Masculinity and Femininity: True Believers by Joseph O'Connor and That Bad Woman by Claire Boylan" | E. Sullivan (United States) "Irish Military Men Serving Spain in 18th and 19th Century North America" | N. Toraiwa (Japan) " 'Most Foreign and Cherished Reader': On Medbh McGuckian's Ideas of Language" | G. Hughes (Japan) "Writer and Artist in George Moore's A Drama in Muslin" | E. Fitzpatrick (Canada) "Female Subjectivity in the Works of Marina Carr and Teresa Deevy" |
Panels: 15.30-17.30
Room A: History and Politics in Irish Writing
Room B: Postcolonial Ireland
Room C: The Language of Contemporary Irish Art
Room D: Irish Literatures and Europe
Room E: Irish Poetries Now
Room F: Irish Literatures and Translation
Thursday, 29 July: Panels from 11.00 to 12.30
| A | B | C | D | E | F | G | |
| Chair | B. Phillips | L. Russell | J. Wilson Foster | S. Ballyn | M. Murphy | ||
| Delegate | K. Hopper (United Kingdom) "The Dismember-ment of Orpheus: Flann O'Brien and the Censorship Code" | T. O'Brien-Johnson (Switzerland) "Gendering Family Love in Some Contem-porary Irish Poetry" | Forum: "Scotland and Ireland in the 21st Century" | B. Cliff (Ireland) "Poetry 'On the Cusp': The Manuscripts for Paul Muldoon's '7, Middagh Street " | Forum: "Teaching an Irish text" | ||
| Delegate | J. Lanters (United States) "The Unthinkable Universe of Flann O'Brien's The Third Policeman" | S. Hagemann (Germany) "Emancipat- ing Glorvina?" | I. Praga (Spain) "Religion at the End of the Century: An Approach to J.F. Deane's Poetry" | ||||
| Delegate | C.M. Kaplan (United States) "Edna O'Brien's ReJoycing: Portraits of the Artist (and Non-Artist) as a Young Man" | C. Schattmann (United States) "'But in What Country Have we Been?': John Montague's Border Sick Call" |
| 15.30 - 17.30 | Panels |
| 17.30 - 18.00 | Break |
| 20.00 | Dinner at Paradís Ca n'Amat |
Panels: 15.30-17.30
Room A: History and Politics in Irish Writing
Room B: Postcolonial Ireland
Room C: The Language of Contemporary Irish Art
Room D: Irish Literatures and Europe
Room E: Irish Poetries Now
Room F: Irish Literatures and Translation
Thursday 29th 15.30 to 17.30
| A | B | C | D | E | F | G | |
| Chair | D. Mackenna | M. Murphy | A. Dalsimer | J. Hurtley | M. Ohno | D. MacDermott | |
| Delegate | A. Wessels (South Africa) " 'Head or Harp'?: The Crisis of Irish National Identity and the Anglo-Irish Ascendancy as Portrayed in Selected Modern and Contempo- rary Novels" | G. Giambona Gailor (Italy) "Postcolon- iality, Resistance, and Identity in Recent Irish Fiction" | V. Kreilkamp and A.M. Dalsimer (United States) "The Intertextuality of Alice Maher's Recent Art" | J.A. Stevens (Ireland) "Harlequin in Ireland: The Use of Pantomime in Somerville and Ross's Irish R.M. Stories" | L. Collins (Ireland) "The Sacred Body in the Poetry of Eilean Ní Chuilleanain" | ||
| Delegate | A. Kelly (Northern Ireland) "'Ordered Dreams': Ideology and Utopia in the 'Troubles' Thriller" | J. McDonagh (Ireland) "The Ireland that we Dreamed of - An Imagined Community" | R. Lydenberg (United States) "The Fertile Void: History and Language in the Art of Dorothy Cross" | L. Izarra (Brazil) "The Picaresque as a Decolon- izing Discourse in James Stephen's The Demi-Gods" | A.R. García (Spain) "An Analysis of the Female Icons in Paula Meehan's The Man who was Marked by Winter" | W. Zach (Germany) "Translating Brian Friel into German: Problems and Solutions" | |
| Delegate | P. Craig (United Kingdom) [Title pending] | N. Ito (Japan) "Infringe- ment of or Trespassing the Border" | K. Nahum (United States) "Hidden Scripts: The Art of Ciarán Lennon" | M. Randaccio (Italy) "Pirandello's and Friel's Denied Tragedies: Six Characters in Search of an Author and Living Quartets" | F. Tanigawa (Japan) "Paula Meehan's Ars Poetica: Its Significance and Background" | A.A. Mazhar (Egypt) "The Arabic Translation of The Playboy: A Subversion of the Egyptian Peasant Stereotype" | |
| Delegate | M. Fitzgerald- Hoyt (United States) "A Parable for the Peace Agreement: William Trevor's 'Against the Odds' " | A. Thacker (Northern Ireland) "Spatial Politics in Ulysses" | C. MacGiolla Leith (Ireland) "New Territories: The Landscape in Contempo- rary Irish Art" | L. Wong (Hong Kong) "The Global and the Local in the Cross- Cultural Adaptation of Pygmalion" |
Page created by Bill Phillips phillips@fil.ub.es
Last updated: 2/11/99